A sunny day in the end of August my sister helped me photograph my new Italian “Borgia” dress
(Construction part 1, part 2, and headwear).
And here are the result:
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Behind the scenes
This dress was originally planed to be one of two options for my friends wedding mid July, but as you might expect – it wasn’t finished by then (so I wore a different dress instead).
(who knew you would get so little time for sewing whit a newborn in your lap…)
The pattern is an original I won at an online auction about a year ago.
The fabric is 1,5 m of soft Viscose in a lovely turquoise, I had in my stash, from which I barely managed to irk all the pattern pieces from.
Unfortunately I didn’t take any in progress photos, but the construction was really simple – basically a darted slim skirt sewn to a slightly larger/ lose T-shirt bodice. No zipper or clouser, just interfacing to the neckline and bust darts. A quick hemming and it was done (probably took me less then 4 hours, all and all).
Simple as it was, I did however made two pretty classic mistakes.
1. When enlarging the pattern for the bodice I added a bit to much center front/back which made the neckline to wide. It doesn’t show but it feels when worn.
2. I didn’t took the time to go into town to get more interfacing, but used what I had, which of course was way to stiff for the soft fabric, thous making the neckline facings to hard and adding to the weird look/feel of the neckline.
It does not look like much on the hanger…
The facts:
What: A 1950s summer dress
Pattern: Simplicity 2963
Fabric & Notions: 1,5 m turquoise viscose, Thread and pieces of interfacing for the neck-facings.
Time & cost: about 100 Sek (16 Usd) and less then 4 hours (although I worked on it in 10 minute portions for 3 weeks, so it’s hard to tell exactly).
Final Thoughts: I do love the idea of this dress, but sadly I’m not a fan o it in real life. The lose bodice make my upper body look huge and the slim skirt only enhances that feeling. On a slimmer person, or at least someone with hm.. les bobbage (Did I mention I’m currently breastfeeding…) it would probably look great. But I don’t think I will ever wear it again.
For the easiest entry to HSM ever, I started looking into ways to travel with my little one.
Before the use of strollers and the intricate baby carriers that’s becoming more and more popular, people (read women) used the easiest way of tugging their baby’s along – a fabric “sling”.
I will not go into the use of slings and ways to travel with baby’s in past times, since others do it so much better, like Som när det begav sig (link in Swedish). A simple google search will also give you the history from (more or les reliable) sites – most of which sell modern baby carriers and shawls.
The construction of my baby sling/shawl was to make a rectangle 3 x 1m and hem the edges.
I then tied it around my body (under one arm and over the other shoulder) and placed my baby in it.
And that’s that.
And since I sewed it by machine it actually took longer getting dressed for the photoshoot then it did making the sling.
Photo: Maria Petersson
(I only let go of my hands for a second)
The Challenge: Nr 6 2016 – Travel
What:Â A baby sling
Year: 1500-1600s
Material: 3,5 m of ivory cotton
Pattern:Â None – I just cut a rectangle 1 x 3,5 m and hemmed it.
Notions: Thread.
How historically accurate is it? The fabric should probably be linen or wool, but since this was meant as a first try I think it would do. the machine stitching are on the other hand not at all accurate. 6/10
Hours to complete: 10 minutes
First worn: Beginning august for photos, but will maybe be used late August for a Medieval fair.
Total cost: 100 Sek (16 Usd)
Final thoughts This was such a cheat. It was way to easy and fast to really count, bu since I did have my baby (!) in June I think I can give myself a break.
Right after the dance recital me and my sister did a quick photoshoot of my new Round gown.
I’m wearing the dress (obviously), my new petticoat, chemise, stockings, American Duchess 18th century shoes, a white fichu, mittens, and a turban made from a shawl decorated with feathers.
Photo: Elin Evaldsdotter
To get some photos of my new Edwardian wool dress, I took the opportunity to use my fiancees workplace as settings and my sister as photograph.
I’m wearing: The brown/plaid wool skirt, lacy shirtwaist, wool bolero and my Titanic hat (with a quick fix-up) Underneath I have my S-shaped corset, petticoat, chemise, corset cover, stockings and black “American Duchess” Gibson shoes.
As soon as the last piece was finished, I took my new “Outlander” costume out for some photos.
My fiance helped me, and I must say he did a splendid job both photographing and keeping up the good cheer.
I’m wearing: My new 18th century woolen jacket & skirt over stays, petticoats, bumpad and chemise. And a modern knitted shawl, linen cap, knitted mittens (which where gifted to me by the lovely Helena – Thanks again, I love them) and a basket for accessorizes.
Only minutes after finishing my new peasant dress, I packed it and left for my sisters house (and her birthday celebration), where we took a few moments to take some photos around the yard – which was the perfect setting for this dress.
I’m wearing: My new Heirloom dress paired with apron and head-cloth/shawl from my National costume, beige woolen shawl, knitted mittens, chemise, petticoat, bloomers and lace up boots.
Even though I could’t attend the ” Plastique Fantastique” event last weekend, I still took the time to dress up for a  photoshoot.
I’m wearing my new Plastic purple flower dress, pair with a purple synthetic wig, high stockings, black Kensington shoes accessorized with fan gloves, jewelry and feathers. Underneath I wear my old 18th century corset, short bloomers and pocket hoops.
Doll Antoinette
For the photoshoot I got some help from my friend, modelling my new 17th century outfit.
She wore the 17th century bodice, skirt, coif and fur over my quilted petticoat, accessoriced with a string of pearls and a Violine.
Here are the result:
Since I didn’t finish the dress until the night before the event, me and my sister took a few minutes away from the others to document my dress at the day itself.
I’m wearing: My new Plaid 1850s Summer dress (part 1, 2 & 3), green silk Bonnet (part 1 & 2), my cage Crinoline, 1880s corset together with chemise, petticoats, bloomers, stockings, lace up boots and a clock on a chain at the belt.