fashionthrougherstory

Suffragett Metal Brosches

Published on September 23, 2013September 25, 2013 by fashionthrougherstory2 Comments

For the HSFs 19 challenge: Metal, wood and bone I decided to make yet another simple piece.

I’ve been in need of some Suffragett symbols and ribbons, to wear to an upcoming event.

So I searched the internet and fell in love with these beautiful suffragett brosches.

So I bought three frames from the local craft store.

I also got some ribbon (violet, green, yellow, white and lace) and started to tie rosettes.

Once by my computer I searched and found some fascinating Swedish women who fought for the rights of women in the beginning of the century.

I printed and glued the pictures into the frames, and then sewed the ribbons to the frames. So simple.

I think they look lovely, although I do not know if this was something who actually was being worn by the women’s rights movements at the time, or a more recent invention.

Just the facts:

Challenge: 19 Wood, metal and bone

Year: 1900-1920s

What: Womens rights brosches

Fabric: None

Notions: metal frames, ribbons, glue, hot glue, paper, thread.

Historical accuracy: I have no idea, but ribbons in violet, white and green/yellow was the symbol of the movement.

Time: 1 hour

Cost: 100Sek (11 USD)

First worn: Not yet, but will be on the 5 okt for a Suffragett brunch.

a Separate Robe – Photoshoot

Published on September 17, 2013 by fashionthrougherstoryLeave a comment

Since I was already running late with both the 16th and the 17th challenge for the HSF, I decided to wait to photograp the skirt, and instead do a combined photoshoot when both items was ready.

So this weekend me and my sister went for a walk, and shoot some pictures at a couple of beautifully historical location close to my home.

The only truble was the swedish fast fading autumn light. For this photoshoot I wanted to show the versatility of the garmnents, and styled the jacket and skirt in two different ways, using only accessories.

The towns woman:

The court lady:

Foto: Maria Petersson

Robes and Robings

Published on September 15, 2013 by fashionthrougherstoryLeave a comment

I bought this blue and white striped cotton for 15 Sek/m a while back, and since it was the last 2,5m on the bolt I decided it would make a perfect 18th or 19th century jacket.

So when the 17th HSF challenge was announced as – Robes and Robings, it was the perfect opportunity to use the fabric.

“And what are robings? They were also called robins and round robins. Basically they are the trimming round the neck and down the front of 18th and early 19th century gowns and pelisses.” quote from the Dreamstress in her annoncement of the challenge.

As usual I started with some inspirations pictures.

(quite a pink-orama)

As pattern for the jacket I turned to Janet Arnold, and her beautiful 1750s pet-en-l’aire (jacket).

So I put the corset and pocket-hoops on my dressform and started to drape a pattern.

Then I removed it, sewed and tried it on as a mock-up.

After a few alterations it was time to cut the fabric.

left and right sides being cut separatly so to mach the stipes perfectly.

I used plain white cotton as lining, and started the handsewing by working the eyelets into the back of the linning.

I basted the lining to the striped fabric as a interlining.

Now it was time to arrange the backpleats. Something that took a bit of time and carefull forcing of the fabric.

Then everything went pretty fast, and I sewed the shoulders, the hip-pleats and the side seams. And I tried it on for further adjustments.

I needed to make a few alterations and then I continued by folding and hemming the layers seperatly, and cut and turned under all the seam-allowences. I attached the sleeves and made the elbow flounce.

I’m a bit worried by the wrinkles in the waist. I had hoped to be able to make the jacket without a waist seam. But I had to give in to the wrinkles and decided to sew them down as they lay, creating a false seam.

I draped the stomacher straight to the body when wearing the jacket, to get the opening and sizing right. I cut the stomacher in two parts, who closes at center front by hooks and eyes.

The hole jacket are compleatly handsewn and I’m very proud of it. I used up every single piece of the fabric and manadge to only piece it in one place – the left sleeve flounce.

And thisweekend me and my sister had a photoshoot of the jacket paired with the separate skirt, that I will show you pictures of in my next post.

Some finished pictures on the dressform.

Just the facts:

Challenge 17. Robe and Robbings

What: A pet-en-l’air (Jacket)

Year: 1745-1755.

Pattern: Janet Arnolds “Pattern of Fahsion 1” A pet-en-l’air

Fabric: 2,5 m of striped cotton, and 2,5 m white cotton-sheet for lining.

Notions: Thread, hooks and eyes, lacing cord, plastic boning for the stomacher and lacing.

How historical accurate: My closest yet. Compleatly handsewn with period stiching, pattern and cutting methods. I’d say about 90%.

Time: 25 hours

Cost: 100 Sek (11USD)

First worn: On the photoshoot mid sep.

16th century Peasant

Published on September 10, 2013December 20, 2013 by fashionthrougherstory4 Comments

One of the challenges in the HSF I found the most interesting was the nr 5 Peasants and Pioneres back in Mars. Since I’m obviosly a “princess” when it comes to historical costuming, I found it verry educative to force myself down the heraldic scale to the common people.

I serced my books and the internet, and pretty soon found the pictures to use as my inspiration.

It is a painting of dancing towns-people in the 16th century England, from the book “The Tudor Tailor”. A book who also had some suiting patter for the costumes.

I decided on the pattern for the Kirtle (or underdress) with a front lacing and room for a smal bumroll. The fabric used where a red cotton twill.

The Kirtle went together pretty easy and I boned the bodice with some cable-ties, and handsewed all the lacing holes with brown button-hole thread. I pleated the skirt to the bodice and left an open slit in the front for size adjustments.

Pay no attention to the white sick-sack thread – For some reason I started to gather the skirt. But then I came to my sences and pleated it, as is the proper 16 th century way of doing this.

For the apron I used a brown cotton sheet from my stash and made the pattern as a rektangel gathered to a waistband.

I also needed to make some headwear, both out of decency and to cover my own short hairdo. I used the pattern for a Henrican coif in the same book. And made it out of some pieces of white cotton and some wire.

When finished, me and one of my sisters went to my favourite location to shoot some nice pictures. I’m wearing the kirtle, a bumroll, the coif and apron, and an embroided shirt from a previous challenge.

Some finished Pictures.

Photo: Elin Petersson

Just the facts:

Challenge nr 5: Peasent and Pioneer

What: Early 16th century handmaiden, – Kirtle, apron and coif.

Fabric: Kirtle – 3m of red cotton twill. Apron – 1m of brown cotton. Coif – 40 cm of white/ivory cotton.

Pattern: Kirtle – “The Tudor Tailor” Basic women´s clothing – kirtle and petticoats. Apron – none. Coife – “The Tudor Tailor” Hats and headwear – Henrician coif with plane brim.

Notion: Kirtle – brown buttonhole-thread for the handmade eyelets, plastic bonning in the front, and brown cord for the front clouser. Apron – Brown thread. Coif – White thread, thin steal wire(?) for the shaping.

Historical accurate: Pretty good (exept for the cotton fabrics, which should have been wool and linnen). Lots of handsewing and historical methodes where used. The Apron and Coif are totaly handmade, and so are all the visual seams on the Kirtle.

Hours: About 20 for everything (3 hours each on the apron and coif).

Total cost: About 35 USD.First worn: On this photoshoot. But I would love too wear it again on some event, or even whitout one…

Green Boleyn disaster

Published on September 6, 2013 by fashionthrougherstory1 Comment

About 5 years ago I decided to try my hands at historic costuming for the first time.

I’ve always loved historical movies and don’t really care about the plott or the actors performance as long as you can look at some beautiful costumes.

So when the movie “The Other Boleyn Girl” came out I fell in love with the beautiful costumes the leading actresses wore. I must say I still think they are lovely even though I now realize they in no way resembles what women of the time realy wore.

I decided that I really wanted to make the green dress Anne Boleyn/Natalie Portman wears when she reurns from France and starts to seduce the king (Henry VIII/Eric Bana).

I bought 5 m of emerald green taffeta, some dark green velvet and some lace – all of course in polyester. Back then I knew nothing about historical pattern-making and the importance of foundation wear, but realied on my “skills” at modern pattern making.

After studying pictures from the movie and the exibition of the costumes I started drafting the pattern.

I made the bodice as an sleeveless gown with a higher back and the sleeves attached only at the armpitt. It closes in the back with a zipper. The lower parts of the sleeves consists of a big rectangel lined with the velvet, sewn into the elbow seam.

I cut the skirt as two rektangles and pleated them to the waist of the bodice. The “petticoat” is also sewn to the waistband and runs from the sideseams in the front. The whole dress are lined with green polysester lining, and decorated with a ribbon with plastic gemstones.

I also made the “french hood” and the “Boleyn necklace” to go with the dress.

This is what it looked like on my dressform.

And at the phothoshoot

At the time I vas really proude of the dress and tought it was beautiful.

A couple of years later (when I learnt a bit more about historic clothes) I really hated it, and decided to redo it.

So i ripped the skirt from the bodice and re-pleated it to a waistband, and made the petticoat as a separate piece. I also made sure the skirt would fitt over a bumrole and petticoat.

I ripped the bodice opened and got rid of the curved bust seams, boned the front and cut some shoulder straps to attach the sleeves on. I also took out the zipper in the back and replaced it with lacing.

I changed the decoration-band on the front and hood to a velvet ribbon and sewed on smal gemstones.

This time the dress looked much better, unfortanly I din’t had enough fabric (or knowlage) too make all the changes that was needed to make it really good. (And the hem of the petticoat is way too short worn with heels and a bumrole.)

I will probably try to redo this dress again some day, or at least re-use the fabric as I still think the colour is wounderful.

And now I must admit that I found the perfect opurtunity to pull it out once more…

18th century picnick

Published on September 4, 2013November 16, 2013 by fashionthrougherstoryLeave a comment

Right in the middle of my stressfull work with the Huldra movie I got invited to join my costume group for a 18th century picnick.

At first I tought that I was not going to be able to come. But as the day drew neerer i decided that i was most defenetly going – I was desperatly in need for someting to take my mind of the endless work hours and this picknic seemed like the perfect thing.

So I dove in to my box of costumes (having a bit of a crizis over wich dress to wear), and left work early to get myself dressed.

The picnic it self was located in the beautiful park of Drottningholm (the royal castle). And even tough I had to stress like hell, changing into the historical stockings and petticoats and wigs, and then ride the metro and the buss alone in my costume it was totaly worth it.

The weather was perfect and when I opened my picnic basket i found the most wounderful pacage of fruit, sandwishes, chocolate and juice – that my friend so thoughtfully packed when I was rushing around trying to find my bumroll and shoebuckles.

The birds take flight to warmer countryes.

Just look at all that lovely food.

A fancy and historical way of dressing a sandwich and a juice-bottle (Thank you Kristin).

Me in my Chemise a Lamballe.

We even had some gentlemen and some adorable dogs in our group.

I love the mixing of patterns in thier dresses.

A story illustrated with papper-dolls was performed to our amusement.

Smoking pipe in the dusk.

My American Duchess shoes.

Not mine, but so beautiful and autentic.

My favorite picture – Lady taking a strol while the sun sets.

Regency accessoars

Published on September 2, 2013October 5, 2013 by fashionthrougherstoryLeave a comment

To make a historical outfit all you need is the right undergarnments and a plausible fabric in a color or pattern used during the intended era. (Honestly, in most circles you can get away with lots of inaccuracies if you have the overall silhouette down)

But how to make your costume go from “nice” to “wonderful”?

It’s all in the accessories.

What would your Elizabethian dress be without the starched ruff, or your 18th century Anglaise without the headgehog-hair/wig.

So for the HSF challenge 7 “accessorize” I decided to style my new Regency gown (which I made in the 6th challenge) with some matching accessories.

But what would I make? There are so many things the proper Regency lady would need.

Robes and ridicules …

… turbans, open robe, spencer, fans and muffs …

… shawls, bonnets, gloves and parasols.

I decided to prioritate headwear – since my hair is cropped in a boyish style I would never be able to arrange it in the curly up-dos so popular at the time. So instead I need to cover it up.

I searched all the stores in town for a straw hat to make into a bonnet. But the sunbonnets was no where to be seen in the still cold and snowy march.

So I needed to re-think the bonnet and decided on the much simpler turban. I bouhgt a shawl in a similar green color as the trimmings on my dress, and practiced wraping and pinning the turban to my head. The American Duchess has a great tutorial which I used to get the shawl to co-operate.

But since the turban seemed a bit too easy I also decided to make some gloves – or mittens to be exact.

These were my main inspirations

Using the pattern from “Costume Close-up”, I drafted and cut the pieces in an ivory cotton blend.

They are completely handsewn and decorated with green buttonhole thread and the same green linnen as for the gown trimmings.

I also bought an ivory lace fan, and cut a big triangle of ivory organdy to use as a fichu (neck coverage) for the photoshoot.

Photo: Elin Petersson

Just the facts:

Challenge nr 7 – Accessorize

What: White and green Regency mittens. And my light entries – the green turban (a scarf) and white fichu (a hemed piece of organza).

Fabric: 0,5 m cream colored, thick cotton fabric with a small soft nape.

Pattern: “Costume Close-up” By Linda Baumgarter – Mittens.

Year: 1740-1840.

Notions: Pieces of contrasting green fabric, sewing thread and green buttonhole thread.

How accurate: Pretty good – completely hand stitched with historical patterns and sewing techniques. So about 90 %.

Hours: 6 hours – lots of decorative handstitching.

Cost: 8 USD.

First worn: On Gods friday when we had the photoshoot.

Final thoughts: I love my mittens and plan to make lots of them in different colors and fabrics.

I also noticed that the hostess of HSF The Dreamstess mentioned my mittens as one of her favourite accessories for this challenge.

Regency Stripes

Published on August 31, 2013June 24, 2014 by fashionthrougherstory4 Comments

Well, as I haven’t been able to sew all the things I’d liked this month, I will continue to posts about the HSF-challenges finished earlier this year. And as soon as I manadge to find the time to make something new (and to photograph it) I vill share it whit you.

***

For the HSF challenge nr 6 – Stripes, back in mars I knew that I wanted to make a regency dress. Having recently finished my first attempt at this kind of dress for a customer in december, and was itching to give it an other try.

Here are some of my inspiraion dresses.

I already had the pattern since before: Reconstructing History- lady’s regency gown, but I hated it. Everything was wrong with it. The pieces didn’t fit togheter, and the gathering was just ridiculously massive. It gave me a serius head-ake trying too figuring it out the first time.

So I studied the pieces of Arnolds two regency patterns.

gilbert-gown

Then I re-cutt the pattern to make a lot more sence. I made a mock-up and did some final adjustments to the pattern.

Then I found the perfect fabric super cheap in my new favourite fabric store.

It is a pistage-green striped really thin cotton weave. I also got a darker green linnen, cream colored lace and a plastic row of pearls for the decoration.

The sewing went fast and easy and after only one day of sewing I could try it on to check the lenght and back closure.

Then I hemed it, and hand stiched on the lace and beads.

And finished

Photo: Elin Petersson

Just the facts:

Challenge nr 6 – Stripes

What: A simple mint green Regency dress

Fabric: 3,5 m of soft and thin cotton fabric (almost like voile).

Pattern: “Reconstructing History” nr 838. Not a pattern I would recommend for a beginner. I had to change and alter almost every pattern piece. (I think it would have been both faster and easier to make a new one from scratch).

Year: About 1800 – 1810

Notions: Green contrast fabric, 5 pearl buttons for closure, thread, 2 m of lace and 3m of pearl-ribbon.

How accurate: Mostly made by machine, and with modern pattern reconstruction and sewing method. So except for the silhouette and the “look” of the dress – not accurate at all I’m afraid.

Hours: About 16 (with lots of handstitching on the decor).

Cost: About 30 USD

First worn: On Gods friday when we had the photoshoot.

Huldra the Movie – About

Published on August 26, 2013 by fashionthrougherstory1 Comment

The movie ”Huldra” I’ve been working on is a thriller set in the forest in the northern parts of Sweden.

It’s about a young group of old friends who decides to go hiking in the deep forests of the north. When they arrive at the old cabin where they plan to stay for a couple of weeks they soon realizes they are not alone. The wood keeper sneaks around acting weird and a beautiful lady is lurking in the forest and in there dreams. The friendship becomes more and more strained as the days goes by, and they all decides they need to win the mysterious girl at any price…

Characters:

Nanna – A tough tomboy girl who seeks to get out of her own troubled life and perhaps get together with her childhood love Martin. Played by: Rebecca Labbé (Photo: Marcus Möller)

Martin – The tough ex military who wants an exuse to get into the forest and away from his wife. Played by: Christoffer L Johnsson

Peter – The struggling musician who loves the forest and the wildlife. Played by: Dave León (Photo: Marcus Möller)

Adam – The successful attorney who wants to meet up with old friends. Played by: Victor von Schirach

John – The playboy wannabe brat, who loves to party. Played by: Viktor Åkerblom (Photo: Marcus Möller)

Adrian – the millionaire nerd who loves the nature and who don’t´t mind helping the others out. Played by: Nikola Ruzicic (Photo: Marcus Möller)

Harald – The forest keeper who´s been living in the woods for many, many years… Played by: Hans Muller (Photo: Marcus Möller)

Young Harald – Harald 40 years ago. Played by: Fredrik Wagner

Gerda – Haralds mysterious daughter. Played by: Pernilla Eriksson

Hippies – Haralds 4 hippie friends from the 1970s. Played by: Natalie Söderqvist, Linus Nilsson, Sofia Bratwall and Joakim Thelin.

Thrilled yet?

No?

Parhaps you need some more pictures from the set…

(Photo: Marcus Möller)

Still no…

Then let me just tell you that the past weeks I really learnt how to clean blood of clothes…

*The word ”huldra” is one of the names used to describe the mythical creature called ”skogsrå” (forest nymph) in Sweden.

As taught in school (my remembrance): The Skogsrå was a creature of the forest who used to appear to people who was lost in the woods in the shape of an ugly old woman. If the miss-fortunate traveler showed her kindness and let her warm herself by the fire, she would shift to her beautiful shape and show them the way home. But if she was treated badly she would instead turn them her back and show the big gulping hole and long tail coiling from her spine, and then kill them instantly.

Huldra the movie – Working hard

Published on August 24, 2013September 8, 2013 by fashionthrougherstoryLeave a comment

As I mentioned in my last post I’ve been really busy working as a costume designer for the upcoming Swedish movie ”Huldra”.

I originally got the job as costume assistant one week before the shooting started. So I putt all my other work and tasks aside, and traveled to Stockholm to work for a month.

But when I got there, I realized two things:

First -There was no pre-production period, and the first shots where to be taken in less than two days…

Second – The costume designer had no intention on doing any work what so ever, help us or even visit us and the production on set. So I and the other costume assistant (who had no more experiance than me) was left totally on our own.

So with two days to: read the script, brake it down to figure out what was needed for each character, do a budget and collect all the things in time – We didn’t even had the time to panic…

We arranged to meet the actors one by one in the nearest shopping mall, and managed to dress and fit them all in one hour each. And as soon as the stores closed we went back to the studio (or base-camp) and altered clothes, wrote more shopping lists, calculated budgets and tried to figure out who was to wear what when.

In those two days we bought, collected and borrowed almost all the clothing and jewelery that was needed for the whole production.

We both worked so hard, and stupidly thought that the worst was over when the shooting started. But then we learnt the hard way what it meant to work with costumes on a movie set. There was so many things we didn’t know and never would have thought about until someone asked us why we had/hadn’t done this or that.

Thank god the whole team are so wounderful, and once some of them realized we actually had no idea on what we were suposed to do, they explained everything and thereby helped us tremendously.

Stressful as it’s been I learnt so much about both the art of movie making, and about myself and what I can accomplish when I really want and need to.

Now I will stop babbling, and show you some pictures of the behind the camera work going on on set. (un-credited pictures are taken by me).

Our costume and makeup trailer.