Handmaid’s tale (photoshoot)

I think no one have missed the awfully good series that is Margater Atwoods “The Handsmaids Tale” – and I say “awfully” because it is So good and yet so horrible when you think about how close such a future might be.
And if you haven’t seen it, Do! you will be moved, and angry, terrified, and totally addicted.

With hate and misogynous thinking creeping back (or maybe it never really disapered to begin with) into our minds.
With les than a week left to the Swedish election for parliament, I actually fear that we are going backward, and instead of learning from history, we are headed head long into Atwoods dystopian future.

So, to show my opposition against the hate and backward thinking of these parties, I wanted to do a “Handmaids tale” photoshoot.

For this shoot I’m wearing My 1550s Kirtle with apron and cap, a bumrol, embroidered shift, mittens and most importantly my red “riding hood” cape.
I also managed to get a few shots with my baby girl E (her clothes are all modern).

“Freedom, like everything else is relative” (The Handmaid’s tale 2017)

“Ignoring isn’t the same as ignorance, you have to work at it” (The handmaid’s tale 2017)

“Under his eye…”

“Nolite te bastardes carborundorum/ Don’t let the bastards grind you down” (The handmaid’s tale 2017)

“They should never have given us uniforms, if they didn’t want us to be an army” (Handmaid’s tale 2017)

“Ordinary is what you’r used to” (the Handmaid’s tale 2017)

“Better never means better for everyone…It always means worse, for someone.” (“Handsmaid’s tale 2017)

“Stop! Don’t touch my baby girls rights!”

“Praised be, bitch!” (Handmaid’s tale 2017)

 Photos by: Maria Petersson

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Medieval inspiration

I had such dificulties deciding on what style of medieval dress I would make for the feast in november. Serching the internet I came up with two different choises.

1. The simple, yet elegant 14th century kirtle and cotehartie.

This style semed like the most usefull as it could be used during both medieval markets and events. It would be pretty easy to make and the style is what most re-enactments wear.

Altough usefull, it did not seem like such a rich and luxurius garnment for a grand feast.

Lets have a look:

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tumblr_mevzsgDkIF1qfg4oyo7_1280Some of the more luxurius headresses worn to this type of dress.

My other option was…

2. The 15th century gown, with its high waist and big collar.

I’ve have always loved this style of dress, and long wanted to make one, even tough the high waist seam often look better on petit women.

This dress is all about lux, with its emelished belt and fur at the collar. But would it work for lesser events such as markets, or would it look costumy and “pretty princessy”.

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tumblr_mevzsgDkIF1qfg4oyo8_1280I totaly adore the crazy headdresses worn during this period, even tough I’m not sure I would feel comfortable wearing one.

Sercing the web for proper re-enactment clothing I found this picture.

happy-leprous-women-18178718Two happy Leoprous women. Mabye something to make for next time…

16th century Peasant

One of the challenges in the HSF I found the most interesting was the nr 5 Peasants and Pioneres back in Mars. Since I’m obviosly a “princess” when it comes to historical costuming, I found it verry educative to force myself down the heraldic scale to the common people.

I serced my books and the internet, and pretty soon found the pictures to use as my inspiration.

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It is a painting of dancing towns-people in the 16th century England, from the book “The Tudor Tailor”. A book who also had some suiting patter for the costumes.

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I decided on the pattern for the Kirtle (or underdress) with a front lacing and room for a smal bumroll. The fabric used where a red cotton twill.

The Kirtle went together pretty easy and I boned the bodice with some cable-ties, and handsewed all the lacing holes with brown button-hole thread. I pleated the skirt to the bodice and left an open slit in the front for size adjustments.

2013-03-03 18.37.38Pay no attention to the white sick-sack thread – For some reason I started to gather the skirt. But then I came to my sences and pleated it, as is the proper 16 th century way of doing this.

For the apron I used a brown cotton sheet from my stash and made the pattern as a rektangel gathered to a waistband.

I also needed to make some headwear, both out of decency and to cover my own short hairdo. I used the pattern for a Henrican coif in the same book. And made it out of some pieces of white cotton and some wire.

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When finished, me and one of my sisters went to my favourite location to shoot some nice pictures. I’m wearing the kirtle, a bumroll, the coif and apron, and an embroided shirt from a previous challenge.

Some finished Pictures.

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sidan-solPhoto: Elin Petersson

Just the facts:

Challenge nr 5: Peasent and Pioneer

What: Early 16th century handmaiden, – Kirtle, apron and coif.

Fabric: Kirtle – 3m of red cotton twill. Apron – 1m of brown cotton. Coif – 40 cm of white/ivory cotton.

Pattern: Kirtle – “The Tudor Tailor” Basic women´s clothing – kirtle and petticoats. Apron – none. Coife – “The Tudor Tailor” Hats and headwear – Henrician coif with plane brim.

Notion: Kirtle – brown buttonhole-thread for the handmade eyelets, plastic bonning in the front, and brown cord for the front clouser. Apron – Brown thread. Coif – White thread, thin steal wire(?) for the shaping.

Historical accurate: Pretty good (exept for the cotton fabrics, which should have been wool and linnen). Lots of handsewing and historical methodes where used. The Apron and Coif are totaly handmade, and so are all the visual seams on the Kirtle.

Hours: About 20 for everything (3 hours each on the apron and coif).

Total cost: About 35 USD.First worn: On this photoshoot. But I would love too wear it again on some event, or even whitout one…