My Green Medieval dress – photos

The day after the Medieval Feast me and my sister went outside to shoot some pictures of our dresses. And since the medieval clothes feels and looks best in religous and grand settings, we walked the 500m to the city Chatehdral.

I wore my new green dress, the whimple, the braids and velvet cape.

IMG_3684This beautiful “Mary and child” statue sits right outside the museum.

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The Chathedral of Linköping is a beautiful building finished in the 1490s, and restorated and added to since.IMG_3343

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I do think the Gothic building style come into fashion a bit sudden…

a Separate Robe – Photoshoot

Since I was already running late with both the 16th and the 17th challenge for the HSF, I decided to wait to photograp the skirt, and instead do a combined photoshoot when both items was ready.

So this weekend me and my sister went for a walk, and shoot some pictures at a couple of beautifully historical location close to my home.

The only truble was the swedish fast fading autumn light. For this photoshoot I wanted to show the versatility of the garmnents, and styled the jacket and skirt in two different ways, using only accessories.

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The court lady:

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IMG_1784Foto: Maria Petersson

16th century Peasant

One of the challenges in the HSF I found the most interesting was the nr 5 Peasants and Pioneres back in Mars. Since I’m obviosly a “princess” when it comes to historical costuming, I found it verry educative to force myself down the heraldic scale to the common people.

I serced my books and the internet, and pretty soon found the pictures to use as my inspiration.

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It is a painting of dancing towns-people in the 16th century England, from the book “The Tudor Tailor”. A book who also had some suiting patter for the costumes.

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I decided on the pattern for the Kirtle (or underdress) with a front lacing and room for a smal bumroll. The fabric used where a red cotton twill.

The Kirtle went together pretty easy and I boned the bodice with some cable-ties, and handsewed all the lacing holes with brown button-hole thread. I pleated the skirt to the bodice and left an open slit in the front for size adjustments.

2013-03-03 18.37.38Pay no attention to the white sick-sack thread – For some reason I started to gather the skirt. But then I came to my sences and pleated it, as is the proper 16 th century way of doing this.

For the apron I used a brown cotton sheet from my stash and made the pattern as a rektangel gathered to a waistband.

I also needed to make some headwear, both out of decency and to cover my own short hairdo. I used the pattern for a Henrican coif in the same book. And made it out of some pieces of white cotton and some wire.

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When finished, me and one of my sisters went to my favourite location to shoot some nice pictures. I’m wearing the kirtle, a bumroll, the coif and apron, and an embroided shirt from a previous challenge.

Some finished Pictures.

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Just the facts:

Challenge nr 5: Peasent and Pioneer

What: Early 16th century handmaiden, – Kirtle, apron and coif.

Fabric: Kirtle – 3m of red cotton twill. Apron – 1m of brown cotton. Coif – 40 cm of white/ivory cotton.

Pattern: Kirtle – “The Tudor Tailor” Basic women´s clothing – kirtle and petticoats. Apron – none. Coife – “The Tudor Tailor” Hats and headwear – Henrician coif with plane brim.

Notion: Kirtle – brown buttonhole-thread for the handmade eyelets, plastic bonning in the front, and brown cord for the front clouser. Apron – Brown thread. Coif – White thread, thin steal wire(?) for the shaping.

Historical accurate: Pretty good (exept for the cotton fabrics, which should have been wool and linnen). Lots of handsewing and historical methodes where used. The Apron and Coif are totaly handmade, and so are all the visual seams on the Kirtle.

Hours: About 20 for everything (3 hours each on the apron and coif).

Total cost: About 35 USD.First worn: On this photoshoot. But I would love too wear it again on some event, or even whitout one…

Laced in neo-Victorian Corset

For the photoshoot of the victorian corset and bustle with my sister, we also decided to take some cooler pictures in a more neo-victorian/burlesque way.

We used the building site next to my sisters home as location, and the pictures turned out great.

She is wearing: blommers, petticoat, skirt, stockings, corset, bustle, high heeled boots, bolero-shrug, lace mittens, necklace and a hat. All of the accesories and stylings came from our closets (except for the mits which I bought for the shoot).

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Chemise a Lamballe – Pictures

For the Chemise photoshoot (construction post Here) me and my sister went to this amazing group of old houses from late 18th centrury, located in the middle of our town. It’s not like “Old Town” or something like that just these old wooden houses, with their lovely gardens left untouched in the midst of all the modern houses. (I will show you all of their beauty in a photo-post one day).

We took so many good and wonderful pictures, and it was soo hard to select only a couple of them to show you. But finally I managed to get the numbers down. So here are 12 of my favorites, which I think best captures the softness and beauty of the Chemise a la Reine.

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DSC_0566And of course we had to make some advertising for this fabolous grill – after all it’s barbecue season…

Photo: Maria Petersson