The Day of the Big Crinolines 2017

After months of “planing” (which included me asking around for interest, sending a few emails, and making a quick poster/flyer), the “Day of the big Crinolines” (2017) was finally upon us :-).

A quick poster made from a photo from last year. 

Some of you (especially if you follow me on Instagram) might recall, I’d had a bit of a clothing dilemma the weeks leading up to this event.
But after lots of answer, and I really mean A LOT, (Thank you to all who took their time to give me their thoughts and opinions 🙂 ) I came to the decision, of which you’d probably already aware – To wear the white plaid dress with the white bonnet (pic 2 & 6), disregarding the fact I wore that exact dress last time.This pic was posted to my Instagram together with the question of which outfit I should choose, and generated about 50 comments. Surprisingly many of you picked matching outfits (green dress with green bonnet and so on), even though I originally made the bonnets to go with the dress right above in the picture (1 & 4..).  

*Ok, so this post contains a lot of picture (all taken by me or my sister, if nothing else mentioned), and I will not speak so much about everything. Just a warning 😉

The day started at 10am when me and my sister meet up with so me of the other early participants to get dressed, a endeavor that took quite a while.Clara helping my sister securing the hat properly. 

And by the way… Yay!
And with no last try on before the event I was relived to se that the outfit worked.

The day officially started at 11am with a picknick in the green, but the previous days heavy rain made us les inclined to get down on the ground, and instead we opted for a spot by the outdoor dance floor with several benches.  

The “low class” people helped sett the tables 😉   

One interesting element in our picknick (which I’m sure amused us as much as the other party) was the stride of runners from “Linköpings Half-marathon” passing us by.  I found it particularly funny, since I originally planned to enter the race, (yep, I’d doubled bocked myself) but a sore knee forced me to rest for the past month. My boyfriend however entered, and ran past us in one of the front crowds, to my, and a few more of us high applause and encouraging shouts.

Despite taking photos, looking for my hubby amongst the runners and making sure all newcomers was welcomed and everyone was comfortable, I did actually had a few moments to sitt down and have a bite to eat (and drink).

Kerstin and Sara visited the event as part of their project (or perhaps despite) their project to re-create their long past relative Agusta Lundin’s (a well known Swedish mid 19th century lady) travels through Sweden and Europe. Read all about their trip and project at: Agustasresa.se 

A severe case of “Hairnet stuck to PomPoms” 😀
Photo by: Kerstin of “Augustas resa” (more photos from her can be found here)

Some mingel

Pernilla and Denise in their beautiful new dresses.

This is how happy Pernilla is about her recently finished crinoline 😀

Sis 🙂

 Fixing some hair before the dance-recital

After the picknick we all headed onto the dance flor to get a lesson in 19th century dance.

Not everyone likes to dance though, sometimes it’s just enough to sitt and enjoy it instead.

Then the dance-team showed us some more complicated moves  I opted to stay sidelined since we were uneven to match the formation (besides No dancing = more photos)

Before it was time to “hit the town”, and for everyone to wander off as they liked we gathered for a group picture.

Pic by: Janne

Pic by: Janne

I also got some pictures of all of my 3 dresses attending the day.  “The brown ladies”
After finally deciding on my dress, and finishing my sisters outfit, I got an email from one of the new girls in the dance team, asking for advice/help on what to wear. After some questions about her approximate size, and armed with lots of safety pins, I dug my brown Paisley gown out from my basement, gave it a press and lent it to her for the day.

Then we all spent a few hours drinking coffee, walking around and shopping

My sister had a “dress-twin” in this lady (That fabric is divine!)

Maria and Ruth resting their legs

Apparently this event was sett on “The Knitters Day”, and since it was a bit chilly I made good use of my beloved mitts, that was gifted to me a few years back. 

Just like last time, we all gathered again before dinner to play some “Pinn-ball” (or is it Bowling?) on the old course.  

Clara in her beautiful lilac dress (and don’t you just love her bonnet – perfection!),
and Sarah who changed dress (and decade) before dinner, to a gorgeous natural form gown.

 “Have you heard the latest news…”

Then it was time to head in for the dinner.

And that was that. Testing out my new selfie-stick with some of the amazing ladies from the day.

I’m really happy about how the day turned out (even though the weather wasn’t exactly the nicest, but hey! No Rain :-)), and so grateful to all the wonderful people who took their time (and Awesome costumes) to come here and help make the day such a success.  Hope to see you all next time… 😀

And as a bonus: Check out this video made by one of the photographers who joined us in the beginning of the day.

1865s Kaki Walking suit (HSM 7/2017)

HSM 7/2017 – Fashion Plate

I knew from the start this challenge would be an easy one (or hard, depending on how you see it), cause I often use pictures and extant garment as my inspiration. The only trouble was to pick which one to make.

But since my sister needed a new 1860s outfit for an upcoming event and I already had this pic saved on my ” wish to make someday” list, The choice turned out easier then expected.
Fashion plate from 1862

Close-up on the outfit I planed to make.

I also looked at some extant garments for additional inspiration and style choices. Then I got to work.

Using two beige cotton sheets from IKEA.
I started by cutting the skirt and used the same method and calculations as my latest 1860s dress, stitching the skirt together. This time it went a lot faster, since I already had the measurements and the technique down.

Once it was stitched and hemmed (after quick fitting) I added a singel row of braid around the bottom. Even though my insoiration din’t have one, I really liked the way t looked, and how it connected with the decoration to be made on the jacket.   

Then it was time for the jacket.

After some quick research and studying of pattern-diagrams and extant jackets on the internet I drafted my own pattern from my usual modern templates.

Then I stitched it together, inserted the double sleeves, added lining and begun working on the trimming.

 I used the same furniture braid as on the skirt combined with a brown pom-pom trim also from my stash.
Even though they weren’t a perfect match color-wise the effect was really nice.

A quick pic of the just “finished” outfit on the floor. Now all that was needed was some pressing and the right accessories. 

The finished dress: 

Just the facts:

Challenge: Nr 7 2017 – Fashion plate
“Make an outfit inspired by a fashion plate […]”

What: A 1860s Walking ensamble – Skirt and Zouvare Jacket)

Pattern: None – I drafted my own based on pictures and pattern drafts from the time.

Fabric & Notions: 2 beige cotton sheets (150 x 200cm/each), thread, hook and eye for skirt closure, 6 m of tapestry braid and 2 m of pom-pom trim.

How historical accurate: So so – The look and the pattern are good, but the fabric is way to thin and should have been either a thin wool or a heavier cotton. Also it’s stretching it a bit time wise by saying they used sewing-machines at this time, so thats another “wrong”. Maybe 7/10

Time: About 10 hours. more  then half of which went into hemming and trimming by hand.

Cost: About 150-200 Sek (all trim was in my stash from a notions clear-out a few years ago)

First worn: On June 10 for “The day of the Big Crinolines”.

Final thoughts: I think it turned out pretty good. My sister looked like she had fun wearing it and the whole outfit came together really well.

 

1865s Teal Evening gown (HSM 5/2017)

When all the underwear (almost all, I still had the chemise and a second petticoat left to finish), it was time to get started on the dress itself.

Since the dress was for my sister, it was she who ultimately took all the decisions on the final style, and I came with lots of suggestions, inspirations and different looks.inspiration sketch

We finally decided on one main inspiration Evening dress ca. 1865, From the Cincinnati Art Museum

Since the budget was particularly scarce on this project, we decided to cheat and use a set of IKEA curtains I already had in my stash for the dress fabric.It’s a thin polyester in a lovely dark blue/teal color that would be really pretty in a style like this.

1 pair of 2,5m x 1.45m curtains would require some really thoughtful cutting and pattern layout, but with some math and quick calculations I was fairly shore I could get the dress cut from the fabric (as long as I didn’t do any errors…)

I also recently ordered 5 m of silver sparkles and a few m of black lace which both would be perfect for this project. (So, not stash, but almost:-))

I started by drafting the bodice pattern using modern templates and my sisters measurements.
Then I did a quick mock-up that we tried on over her recently finished corset.

Lots of adjustments needed

Just to be sure I got everything right (and since I didn’t had fabric for any errors) I did another mock-up of the bodice.

After the last alterations was made, it was time to cut the fabric.
Only scraps left.

Then I got to work making the skirt.

Starting by marking and stitching the silvery sparkles (which I’ve already cut apart) on the skirt panels.

Then I sewed the skirt panels together, interlined it with a black cotton fabric that also would serve as lining and pleated the top to my sisters waist measurement.
not completely happy about the look of the pleats, I put it on my dress-form (over the new crinoline) to get a beter look. Something seamed wrong.
So I grabbed my books and read up on the period way to pleat the skirts to he waistband, and there I found the answer – by the 1860s they left the knifepleats of the earlier period for a few double box-pleats evenly spaced around the skirt. So that what I did.
 Much better

Then I attached the skirt to the waistband and after a final fitting cut and hemmed the length. I also moved  some and added some extra sparkles and stitched on a narrow black lace ribbon to the bottom edge.

Then it was time to get started on the bodice.

I started by interlining all the pieces in a strong black cotton twill, after which I stitched the darts and the pieces together. I added some bias tape and bones to the seams to make the bodice old its shape.The interior of the bodice

Then it was time to try the gown on my sister.

Don’t you just love how she matches the wall… 
Thank good for multiple mock-ups. The bodice (and skirt) fit almost perfectly (the wrinkles you see at the back will disappear once I got the center back bones in).

After some minor adjustments, I set the sleeves and the lining and got started on the eyelet for the back lacing.Here I ran into trouble. after almost 3 months of planing and making undergarments for this dress, I still hadn’t found any suitable lacing cord in a color that would work for the dress. I’d been to every sore in town, searched the internet, contemplated using black or even discard of lacing for closure all together, when I realized I might in fact have something in my own stash that would work.
Hurray! The odd colored cotton cord I’d got on super sale a few years back turned out to be the exact shade of Teal I needed – what are the odds? Perfect match! – Is this a sign my stash are to big?

Once the eyelets where finished I stitched down the lining, hemed the sleeves made a belt and added some black lace to the neckline.  

Then I got my sister to come and try it on for a (almost) final fitting, where we marked the skirt length, stitched the belt on the bodice and added hooks and eyes to the waistbands of both pieces to keep the bodice from riding up.
We also decided on how to accessorize, and to ad a piece of the same black lace around the sleeves and hem.

And since I want to submit this dress for the Historical Sew Monthly nr 5/2017 – Literature, I did some thinking on what book I would choose to make it fit. Then came the obvious answer – Victoria and her Court by Virginia Schomp (find preview from Google Books here).
Because who if not Queen Victoria would house a gown like this.

The Finished dress:

Just the facts:

Challenge: Nr 5/2017 – Literature

What: A 1865s evening dress

How it fit the challenge: It’s a plausible outfit for one of Victorias many ladies in waiting, or even the Queen itself, as described in Virginia Schomps book Victoria and Her Court.

Pattern: I drafted my own after studying the 1865s dresses from Waughs Cut of women’s clothes and Arnolds Pattern of Fashion.

Fabric: 5 m of teal colored polyester curtains (2 pieces 250 x 145 cm each), 4 m of black sheets for lining and 0,5 m of black cotton twill for interlining.

Notions: Thread, Buttonhole-thread, 7 short bones, 1m black bias tape to use as bone casings, 1 m heavy interfacing for the belt, 1 belt buckle, cotton cord for lacing, lots of silver spangles and 7 m of black lace for decoration.

How historical accurate: The shape/look is right, but the construction, pattern and material are all modern. So maybe 4/10

Time: In total about 20 hours (on the dress).

Cost: Almost everything came from stash and/or was really, really cheap. I think I payed about 300 Sek (30 Usd) total for everything. But on a dress like this there really is no limit at what it could cost.

First worn: For photos on May 1 by my sister, and later for a ball on May 6 2017.

Final Thoughts: Both me and my sister are totally in love with this dress. I love how it’s so stylized yet over the top at the same time. The small bodice comparied to the lovely exaggerated shape of the skirt, and the subtle sparkle of glitter when it moves makes me very happy. I also had a lot of fun making it. Only problem is, now I want my own…